In 1979, Tim O'Brien's Going After Cacciato—a novel about the Vietnam War—won the National Book Award. In this, his second work of fiction about Vietnam, O'Brien's unique artistic vision is again clearly demonstrated. Neither a novel nor a short story collection, it is an arc of fictional episodes, taking place in the childhoods of its characters, in the jungles of Vietnam and back home in America two decades later.

Throughout Things and Flesh, there is a wonderful sense of song, a kind of ringing up and down the scales of being. Here, Linda Gregg engages with the searches and findings of both the intellect and the body. This is poetry beautiful in its attention to the things and flesh of this world, to a life of passionate maturity and substance and the mysteries found within.

Loss is a constant companion in Things and Flesh as the poet explores what lesson can be found in "the way this new silence lasts." What all the poems accomplish is to carry the grief we must all by nature endure. They carry our grief across boundaries, over time, and perhaps even beyond, into what used to be called "salvation"—but which Gregg now indicates is instead the place where poetry is made. the consolations are hard won, but no less triumphant.

Things and Flesh is a collection that again demonstrates how, as Joseph Brodsky said of her earlier work, "The blinding intensity of Ms. Gregg's lines stain the reader's psyche the way lightning or heartbreak do."

Their life is a desperate struggle for survival: wise-woman Nettle, Mad Helga, little Gillyflower, the girl they took in seven long years ago. They live by selling potions, begging for food, sometimes robbing the dead of the battlefields that scar the Scottish hills every year. But Gilly remembers a happier life. She has dedicated her very being to destroying the man who destroyed that happiness, even though she has no way to reach him. Until the day he saves her life. Now Gilly knows where he is, who he is. Disguised as a poor servant boy, she insinuates herself into his life, subtly begins to shape it. Even as Macbeth becomes King of Scotland, Gilly brings her revenge to its triumphant conclusion.

Tadeusz Borowski's concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

A stunningly illustrated book that celebrates the power of food throughout American history and in women's lives.

Filled with classic recipes and inspirational stories, A Thousand Years Over a Hot Stove will make you think twice about the food on your plate. Here is the first book to recount how American women have gathered, cooked, and prepared food for lovers, strangers, and family throughout the ages. We find native women who pried nourishment from the wilderness, mothers who sold biscuits to buy their children's freedom, immigrant wives who cooked old foods in new homes to provide comfort. From church bake sales to microwaving moms, this book is a celebration of women's lives, homes, and communities. Over fifty recipes, from Federal Pancakes to Sweet Potato Pie, are beautifully presented along with over one hundred images from artists, photographers, and rare sources. A Thousand Years Over a Hot Stove is the shared history of all American women and the perfect gift for anyone who ever put food on the table. 140 illustrations.

Antigone defending her integrity and ideals to the death, Oedipus questing for his identity and achieving immortality - these heroic figures have moved playgoers and readers since the fifth century BC. Towering over the rest of Greek tragedy, these three plays are among the most enduring and timeless dramas ever written. Robert Fagles' translation conveys all of Sophocles' lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters.

Literary sleuth Thursday Next is out to save literature in the fifth installment of Jasper Fforde’s wildly popular series

Beloved for his prodigious imagination, his satirical gifts, his literate humor, and sheer silliness, Jasper Fforde has delighted book lovers since Thursday Next first appeared in The Eyre Affair, a genre send-up hailed as an instant classic. Since the no-nonsense literary detective from Swindon made her debut, literature has never been quite the same. Neither have nursery rhymes, for that matter. With two successful books of the Nursery Crime series under his belt, Fforde takes up once again the brilliant adventures of his signature creation in the highly anticipated fifth installment of the Thursday Next series. And it’s better than ever.

It’s been fourteen years since Thursday pegged out at the 1988 SuperHoop, and Friday is now a difficult sixteen year old. However, Thursday’s got bigger problems. Sherlock Holmes is killed at the Rheinback Falls and his series is stopped in its tracks. And before this can be corrected, Miss Marple dies suddenly in a car accident, bringing her series to a close as well. When Thursday receives a death threat clearly intended for her written self, she realizes what’s going on—there is a serial killer on the loose in the Bookworld. And that’s not all—The Goliath Corporation is trying to deregulate book travel. Naturally, Thursday must travel to the outer limits of acceptable narrative possibilities to triumph against increasing odds.

Packed with word play, bizarre and entertaining subplots, and old-fashioned suspense, Thursday’s return is sure to be celebrated by Jasper’s fanatical fans and the critics who have loved him since the beginning.

Shows that these ancient teachings are penetrating and relevant, not only for understanding death, but as a guide to life. Illustrated.

William Matthews's ten books have gradually earned him a place on the first roster of American poets -" as water licks its steady way through stone." " Very little of the poetry of the past twenty years," Henry Taylor has written in the Washington Times, " is more intelligent and engaging than that of William Matthews . .. Admiring gratitude seems perfectly appropriate." The New Yorker has described Matthews's work as " poems that revel in etymology and delight in colloquialism." And Carol Muske, in The Nation, has added: " If asked, I couldn't come up with a poet more in tune with the ironies and stand-up vernacular, the jazz of the everyday, than William Matthews . . . Matthews is a wise and fine poet and a funny person. Like time and money, an unbeatable combination. " This is a large-hearted book, a strong and worldly book, the work of five years by one of the most admired and generous of American poets. The National Book Critics Circle named it the winner of its 1995 award in poet

Vast and absorbing, spanning millennia of human history, The Timetables of History, achieves a goal in the study of the past that is unmatched by any other reference volume — it gives us a sweeping overview of the making of the contemporary world. This remarkable book maps out at a glance what was happening simultaneously, from the dawn of history to the present day. Never before has progress been presented with such clarity or with a view that fully captures the essence and the excitement of civilization.

Completely updated, featuring:

* Recent breakthroughs in science and technology
* New achievements in the visual arts and music
* Milestones in religion, philosophy, and learning
* The rise and fall of nations and the emergence of historic figures
* Landmarks in the drama of daily life